
Eleven months ago, the world got a little duller with the passing of Malibu architect Harry Gesner at the age of 97. To say Gesner led a full life would be putting it mildly; the word “epic” might be more apt. Born in Oxnard to an engineer father and an artist mother, he learned to fly a plane at 14, stormed the beach at Normandy aged 19, worked as a waterski instructor in Lake Arrowhead, turned down an invitation from Frank Lloyd Wright to study at Taliesin in favor of being a tomb raider in Ecuador, squired models and actresses, fraternized with Errol Flynn and Marlon Brando, collected fancy sports cars, including a 1957 Mercedes 190SL convertible that he adapted to be all-electric, and surfed every day into his late ’80s.
Then there were the houses he designed, many of which — such as the midcentury Boat Houses that cantilever dramatically over a ridge in the Hollywood Hills — required inventive feats of engineering to be built on land previously assumed to be unbuildable.
Gesner’s best-known designs are found in his beloved Malibu. Statement-making structures with dynamic forms that pay tribute to nature, these include Eagle’s Watch, which Gesner conceptualized as taking on the point of view of an eagle he frequently observed soaring over the house’s blufftop site during the planning stages, and the iconic Wave House, designed for one of the architect’s surfing buddies with a copper-scale-topped roofline that resembles a series of cresting waves.
Next door to Wave House is Gesner’s own longtime family abode, which he called Sandcastle. Completed in 1974, it is a testament to Gesner’s commitment to sustainable building practices. Among the salvaged materials used for its construction are old telephone poles, wall panels made from aqueduct pipes, birdseye maple from a high school gym, marble from public baths that were about to be demolished, old-growth redwood harvested in the 1800s, and windows and doors saved from one of Hollywood’s silent film theaters.
At the home’s entry is a library/lounge with floor-to-ceiling bookshelves and ocean views. From here, one proceeds to the heart of the house, a commodious, window-wrapped living/dining room featuring massive spoke-like beams, wood-plank ceilings, and a vast brick fireplace at its hub. Modeled after the Hollywood Bowl, the fireplace and its large polished concrete hearth served as a stage for Gesner’s wife, actress Nan Martin.
Echoing the cylindrical shape of the house itself, the kitchen wraps around a circular island and has tile countertops, stained glass lunettes fitted into the beams overhead, a fireplace, updated appliances, a breakfast bar, and a walk-in pantry. Adjacent to the dining area is a solarium with stained glass panels, beyond which lies the wraparound deck.
The home’s main level also contains two en-suite bedrooms, one with built-ins making it suitable for use as an office. Upstairs is the primary suite tower, featuring lofty ceilings, a brick fireplace, eyebrow windows, a sitting area with ocean view, and a spiral staircase with handmade driftwood treads corkscrewing up to a studio/loft/meditation space.
Additional structures on the .73-acre property include a “tree house” apartment with kitchenette, living room/dining area, bedroom, bath, and wraparound deck; a “boat house” with a full kitchen, ocean-view living/dining room with a built-in table and porthole windows; and another one-bedroom apartment “nest” with ocean view and stained glass above an indoor/outdoor cabana. There’s also a three-car garage with additional parking pad.
Along with 122 feet of beach front, exterior amenities include a covered deck, a brick patio, a lawn, an outdoor shower, surfboard and other storage areas, a staircase to the beach, and multiple vantage points from which to enjoy glorious sunset views.
The legacy property is now being offered for sale for the first time, with an asking price of $27.5 million. Representing the listing are noted Malibu specialist Chris Cortazzo and fellow Compass agent Zen Gesner, who also happens to be Harry Gesner’s son.
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